INDEX N#6

INDEX N#6 •

Colored photo in a light background. It reads in blue letters: MUNICIPAL HISTORICAL ARCHIVES, July 12, 13, and 14, 2024. Free entrance. Leviatã, INDEX N#6, sound, body, and image. Below, there are the supporters and a visual composition with objects.

INDEX at the Municipal Historical Archives of São Paulo

Praça Cel. Fernando Prestes, 152 – Bom Retiro, São Paulo

From July 12–14, 2024

Tickets will be given out on a first-come, first-served basis.
Entrance is free and subject to venue capacity.
Performances at the foyer: Maximum capacity of 200 people
Performances and screenings in the auditorium: Maximum capacity of 80 people

 
 

Sound, body, and image at Leviatã’s INDEX Festival, featuring national and international artists on a free three-day program at the Municipal Historical Archives of São Paulo from July 12 to 14.

Founded in 2017, Leviatã was born as a publisher with the mission of documenting São Paulo's artistic scene. Since then, it has been creating editorial projects in collaboration with guest artists, focusing on audiovisual productions that result not only in original releases but also in a historical record of a cultural fragment within the city.

In turn, since 2019, INDEX has been gathering artists and proposals that converge with the publisher’s work and build up the cultural scene it is involved in.

In 2024, the festival sets off to its sixth edition, in partnership with the Municipal Historical Archives (AHM) in a gesture that legitimizes one another’s cultural (and) built heritage and encourages taking up the public space, incorporating its architecture, by Ramos de Azevedo, into the artistic proposals themselves in a dialog between music, performance, audiovisual, and the own environment.

INDEX’s approach of utilizing unconventional event spaces tickles the pre-established relationship among stage, performance, and audience, and, in this edition, it emphasizes the discussion about memory and documentation by occupying a venue dedicated to preserving memory itself.

 
 
 
Image with light background. There’s a visual composition in the center with a rounded green glass object in the base supporting a rounded coconut dishrag, two yellow flowers, and a stainless steel object. In blue letters it reads INDEX N#6

The program is curated by filmmaker and Leviatã founder Iago Mati. It gathers over 30 artists from Brazil, Canada, Argentina, and Switzerland in works that range from music to sound art, dance, and performance, in addition to two installations, screenings of audiovisual works and new releases from Leviatã, a sound collage workshop, and activities with AHM, including guided tours and an exhibition. This edition is supported by Coletivo Desvio Padrão, aiming to ensure accessibility for all people.

BEHIND THE SCENE:

Promoted by: Leviatã, Fomento à Música, Secretaria Municipal de Cultura, Prefeitura de São Paulo
Direction and curation: Iago Mati
Text: Amanda Obara
Visual identity: Natasha Xavier
Photography of the compositions: Vicente Otávio
Executive production: Uirapuru Produtora
Production direction: Manoela Wright
General production: Luciana Geoffroy
AHM production: Fabiana Pinotti  
Sound technician: Eduardo Magliano
Assistant sound technician: Caio Terra
Roadies: Carol Doro and Cibele Minder
Lighting: Matheus Leston
Production: Amanda Obara and Sachais Couto
Press office: Yasmin Bianco (Assessoria Bianco)
Partners: Coletivo Desvio Padrão, Casa Líquida, Estúdio Sem Piscina
Support: Arquivo Histórico Municipal, Pro Helvetia, Conseil des arts et des lettres du Québec (CALQ)

 
 
 

Sound, architecture, and accessibility

As part of INDEX, Leviatã invited Juliana R and Bruno Trchmnn to a recording session at the Municipal Historical Archives, establishing a connection between Ramos de Azevedo's architecture and their work as sound artists in a film directed by Iago Mati and Dolores. The work also puts accessibility in the spotlight with Coletivo Desvio Padrão, incorporating sign language and audio description as their own forms of artistic expression.

 

 

July 12 to 14

July 12 to 14 •

 
 

Matheus Leston (installation)

 
 

Matheus Leston is a musician, multimedia artist, creative technologist, and developer. He’s the creator behind the audiovisual projects Orquestra Vermelha, Moiré, Menos, and Ré, in addition to works that explore, from a critical perspective, the relationships between art and technology, music and visualities.

SITE | INSTAGRAM

Colored photograph of Matheus Leston, white man with short dark hair and beard. He wears dark-framed glasses and a white shirt. His right hand supports his chin, and his fingers touch this side of his face. His eyes are pointed to the right.

MATHEUS LESTON BY SOFIA COLUCCI

 
 
 

Natasha Xavier (installation)

 
 

Natasha Xavier is a visual and sound artist. She explores the relationship among space, body, and objects, delving into their materialities and sound possibilities in assemblages, installations, publications, and performances.

Ahead of INDEX's visual identity in 2024, she developed unique compositions for the graphic tiles, which unfolded in an installation set during the three days of the festival.

SITE | INSTAGRAM

Colored photograph of Natasha Xavier, brown-skinned woman with dark. Her hair is dark, straight, and long reaching her abdomen. She’s in front of a light green-blueish wall, wears a white cap written LATINO AMERICA and a white shirt.

NATASHA XAVIER

 
 

Guided tours at the Municipal Historical Archives

 
 

AHM is an essential source for recovering historical and cultural information about São Paulo and preserves documents considered among the oldest in Latin American history (1555-1558).

It is responsible for the preservation, organization, and broad dissemination of the documentary collection of the municipal public administration and is located in the Ramos de Azevedo Building, inaugurated in 1920.

During INDEX, it promotes 40’-guided tours of the ground and underground floors:
July 12: 4:30 pm and 7:30 pm
July 13: 4:30 pm and 7:30 pm

Audioguides: Foyer | Women's restroom | Auditorium

 
 

July 12, Friday

July 12, Friday •

Light background. There’s a visual composition with a tiny aluminum pie mold, a stainless steel dough scraper, a circular red plastic object with small wholes all around it, a transparent hose, and two conch shells.
Light background card. It reads in blue letters: MATHEUS LESTON, BERIMBAUCOMTUDO + FLAVIO LAZZARIN, ALLYSON AMARAL, AFONSO COSTA AND ROMULO ALEXIS, TEIA, JUÇARA MARÇAL + CADU TENÓRIO [ANGANGA], July 12, 6 pm
 
 

Allyson Amaral (dance improvisation), Afonso Costa (dance improvisation), and Romulo Alexis (winds, with trumpets and flutes)

Two dancers and one musician come together for an improvisation session. In this triad, body and sound intersect, connecting languages that intensify the encounter and create compositions that sometimes get closer and other times grow apart. It’s the desire to take back the body as a power through touch and contact.

Allyson Amaral: INSTAGRAM
Afonso Costa: SITE | INSTAGRAM
Romulo Alexis: SITE | INSTAGRAM | BANDCAMP

 
 
 

Berimbaucomtudo (berimbau) and Flávio Lazzarin (drums and electronics)

 
 

Henrique Azul is a berimbau player and the creator of Berimbaucomtudo. He came up with new movements with the instrument, without the obligatory need to resort to traditional styles, allowing richer and more complex arrangements in which improvisation is the key.

Flávio Lazzarin is a drummer from the ABC region of São Paulo, recognized by Modern Drummer Brasil (2015) as one of the exponents of experimental music, outlined by the improvisation and intuition that resonate in his musical projects.

Together, they present an unprecedented duo for the festival’s sixth edition.

Henrique Azul: INSTAGRAM | SPOTIFY
Flávio Lazzarin: INSTAGRAM | BANDCAMP

 
 
 

Teia, from Inés Terra (voice and pedals) and Julia Teles (theremin and pedals)

 
 

Teia is formed by the singer Inés Terra and the theremin player Julia Teles. Together, they work on the relationship between an electronic device and voices, in improvised and compositional processes. In 2020, they released their first album, Teia, by RKZ Records.

INSTAGRAM | SPOTIFY

Colored photograph with yellow lighting. It shows Inés Terra, white woman with short dark hair, and Julia Teles, white woman with dark hair in a ponytail and a fringe covering her entire forehead.

TEIA BY IAGO MATI

 
 
 

Anganga, from Juçara Marçal (voice) & Cadu Tenório (electronics)

Juçara Marçal & Cadu Tenório present Anganga. Through voice and electronics, they show contemporary reinterpretations of vissungos collected by Aires da Mata Machado Filho in São João da Chapada, a city in Diamantina, State of Minas Gerais, in addition to congado chants from Minas Gerais and compositions by the duo as a result from their artistic process.

Cadu Tenório is a musician and composer active in the Brazilian experimental and electronic music scene since 2010, exploring different recording processes and timbre production from synthesizers, field recordings, tape loops, and processed instruments.

Juçara Marçal is a singer known for her work in groups such as Vésper Vocal, A Barca, and Metá Metá. She debuted her solo career with the album Encarnado (YB Music, 2014), winning awards from APCA and Multishow, among others, released Anganga (QTV Selo, 2015) with Cadu Tenório, and the album Delta Estácio Blues (QTV Selo, 2021), as her most recent work.

Cadu Tenório: SITE | BANDCAMP | YOUTUBE
Juçara Marçal: INSTAGRAM | YOUTUBE

 
 

July 13, Saturday

July 13, Saturday •

Fundo claro. Há uma composição visual objetos de metal, um sino de cobre, uma tampa de porcelana branca, um ramo de eucalipto e um ovo vermelho. Lê-se em letras azuis: INDEX, 13 de julho de 2024, 15h, entrada gratuita.
 
 

Charlotte Hug (CH) (voice and viola)

Charlotte Hug is a Swiss composer, interpreter, and visual artist internationally known for her solo performances and intermedia compositions. She has won many awards and joined residencies in London, Paris, Berlin, Johannesburg, and Shanghai, and was Artiste Étoile at the renowned Lucerna Festival.

SITE | INSTAGRAM | YOUTUBE | SOUNDCLOUD 

Colored photograph of Charlotte Hug, white woman with curly light hair. She’s slightly turned to the right, with her eyes closed, arched eyebrows, and her mouth open showing her teeth. She holds a violin under her chin and a bow over the strings.

CHARLOTTE HUG BY KAI BIENERT

 
 
 

Maria Beraldo (clarinet, bass clarinet, and guitar) and Mariá Portugal (drums and voice)

Mariá Portugal works in the borders among improvisation, electronics, and song materials and composes soundtracks for cinema, theater, and dance. She’s active in Brazil and Germany, was improviser in residence at Moers Festival, in 2020, released the album EROSÃO, in 2021, and is a member of Quartabê.

Maria Beraldo is a composer, producer, singer, and clarinet and guitar player. She worked with Arrigo Barnabé, released her solo album CAVALA (2018), is a member of Quartabê, and composes soundtracks for cinema and theater, working in the music direction of works by Felipe Hirsch since 2019, and for dance, with the Balé da Cidade, the City Ballet of São Paulo, in 2024.

Together, they join the festival's second day as an improvisation duo.

Mariá Portugal: SITE | INSTAGRAM | YOUTUBE | SPOTIFY
Maria Beraldo: INSTAGRAM | YOUTUBE | BANDCAMP

 
 
 

Toborochi, from Leticia Mazur (voice and electronic percussion), Jorge Crowe (electronics and controllers), and Javier Bustos (electric bass guitar and eletronics)

Three technologically modified beings move around affecting and transforming each other in their interaction with the environment and the audience. Who are they? What are they? Lost aliens? Interdimensional castaways? An electronic rock band on a galactic tour? They are Toborochi.

In a performance act mixing technology, light, sound, environment, and the public, the trio makes its first appearances in Brazil.

Toborochi: SITE
Leticia Mazur: INSTAGRAM
Jorge Crowe: INSTAGRAM
Javier Bustos: INSTAGRAM

Dark-blueish photograph of Jorge Crowe in the left, Leticia Mazur in the middle, and Javier Bustos in the right. They’re on a stage. Javier and Jorge wear masks covering their faces, and Leticia wears big light horns  pointed upwards.

TOBOROCHI BY PATRICIO TOSCANO

 
 
 

Dance performance by Allyson Amaral and Afonso Costa at AHM Film by Iago Mati and Dolores

Dance improvisation between Allyson Amaral and Afonso Costa at the Municipal Historical Archives, resulting in a film directed by Iago Mati and Dolores that highlights Ramos de Azevedo's architecture and the building's heritage while connecting body, dance, and the environment and strengthening the importance of the historical recording of São Paulo's artistic scene by occupying a place dedicated to the preservation of memory itself.

Iago Mati is a filmmaker and Leviatã's editor and founder. He started his artistic path by drawing and doing graphic experimentations, later moving to photography and video, and using these languages as embryos for his multimedia work, such as installations and audiovisual albums, and collaborations with dancers and sound artists in his own film projects.

Dolores is a director of photography who translates over 10 years of experience in the audiovisual universe into an artistic perspective that highlights the richness of visual narratives. He works in organizations such as Médicos Sem Fronteiras and Unicef and with social impact production companies and finds in music and bodily expressions a channel to explore his poetic-documentary vision.

Allyson Amaral: INSTAGRAM
Afonso Costa: SITE | INSTAGRAM
Iago Mati: INSTAGRAM
Dolores: INSTAGRAM
Municipal Historical Archives: SITE | INSTAGRAM

Photograph of Allyson Amaral & Afonso Costa, black men with dark hair. Allyson gazes to the left, with his left foot pointing to the front and the right one to the left and carries Afonso on his back. Afonso holds Allyson from behind holding his body

ALLYSON AMARAL AND AFONSO COSTA BY DOLORES

 
 
 

Abissal • Creation and performance by Elton Panamby Film by Iago Mati

Abissal is a sonic performance. A chant of deep water tongues reflecting the firmament. It’s a celebration of souls in which a dialog with processes of care and mass mourning is established. From kalunga, the endless abyss of the sea where black people were enchanted during human trafficking, in escapes and exiles, to the abyss of deep black sky populated by other bodies and movements that make us up from a diffuse ancestry, in agreement with the mystery.

Elton Panamby is a body artist (then known as a performer), unteacher, mother, black trans, writer of words and skins, and doctor of occult sciences.

Iago Mati is a filmmaker and Leviatã's editor and founder. He started his artistic path by drawing and doing graphic experimentations, later moving to photography and video, and using these languages as embryos for his multimedia work, such as installations and audiovisual albums, and collaborations with dancers and sound artists in his own film projects.

Elton Panamby: INSTAGRAM
Iago Mati: INSTAGRAM

Colored photograph in vibrant blue shades. In the center, there’s a head made of ice tilted downwards, with its eyes closed, and slightly turned to the right. The whiteish ice reflects the blue light and there’s a drop of water towards the chin.

ABISSAL BY IAGO MATI

 
 
 

As coisas são como são • Video performance by Natasha Xavier

Feeling the texture and materialities of a floor, of what was once upright and lustrous. Finding the objects that inhabit it and the sounds they manifest in relationship with a body. It's in a wracked architecture that glitters clinkings of things as they are.

Natasha Xavier is a visual and sound artist. She explores the relationship among space, body, and objects, delving into their materialities and sound possibilities in assemblages, installations, publications, and performances.

SITE | INSTAGRAM

Photograph of Natasha Xavier, brown-skinned woman with dark eyes and hair down to her back. She’s in front of a window and drags with her right hand a slim object against the textured glass. Her head and eyes are tilted towards the glass.

NATASHA XAVIER BY IAGO MATI

 
 

July 14, Sunday

July 14, Sunday •

Colored photograph on light background. Centered in blue letters is: INDEX, July 14, 2024, MUNICIPAL HISTORICAL ARCHIVES. Below, there’s a visual composition with everyday objects: an egg carton, metal objects, a rock, a glass, and a shell.
 
 

Romulo Alexis (winds, with trumpets and flutes) and Raiany Sinara (electronic drums and synthesizers)

Romulo Alexis is a musician, (de)composer, improviser, cultural producer, curator, educator, and video artist. He researches creative processes and has collaborated with over 300 artists internationally, participating in festivals in Brazil and Europe in projects related to cinema, dance, performance, theater, and multimedia productions.

Raiany Sinara is an experimental musician and music producer coming from Mato Grosso do Sul to São Paulo. She seeks to create dense, involving layers and potent beats using electronic drums and synthesizers.

Romulo Alexis: SITE | INSTAGRAM | BANDCAMP
Raiany Sinara: SITE | INSTAGRAM | BANDCAMP

 
 
 

Guizado e a Realeza (trumpet, electronics, voice, acoustic bass, and percussion)

Guizado e a Realeza has as its core pillars the composition, pulse, improvisation, and percussive rhythm, with all their diversity of meanings, not only musical but cultural and spiritual. Formed by Mamah Soares in the percussions, Marcelo Cabral in the acoustic bass, Paola Ribeiro in the vocals, and Guizado in the trumpets and electronic manipulations, the group creates a musical landscape to which they add layers of samples and electronic programmings.

INSTAGRAM | YOUTUBE | SPOTIFY

Colored photograph of Guizado e a Realeza. It features Marcelo Cabral, Guizado, Paola Ribeiros, and Mamah Soares, all standing up and wearing white clothing against big and tall trees. They are illuminated by the sun coming from the right to the left

GUIZADO E A REALEZA BY CAROL VALENTIM

 
 
 

Diane Labrosse (CA) (samplers and computer), Leticia Mazur (AR) (body), and Javier Bustos (AR) (experimental lutherie)

Diane Labrosse primarily works with electronic samplers in a personal approach in relation to sounds, exploring textures and timbres and creating an abstract and evocative music. Constantly present in various music scenes, she’s performed in several electronic and improvisation music festivals around the world.

Leticia Mazur is a teacher, director, dancer, actress, and performer, with an investigation focused on the body. She studied at P.A.R.T.S., Belgium, directed 20 works in performing arts, and took part in festivals in the American, European, and Asian continents.

Javier Bustos is an artist, composer, performer, and teacher from Buenos Aires, Argentina. His works explore the poetics of listening and sound production, having as starting points new media and precarious technologies, operating across experimental music, installation, and multimedia performing arts.

Diane Labrosse: YOUTUBE | SITE
Leticia Mazur: SITE | INSTAGRAM | YOUTUBE
Javier Bustos: SITE | INSTAGRAM | SPOTIFY

 
 
 

E nunca as minhas mãos estão vazias • Creation and dance performance by Cristian Duarte em Companhia Film by Iago Mati

E nunca as minhas mãos estão vazias has its title taken from Maria Bethânia’s song reciting Portuguese poet Sophia de Mello Breyner Andresen: ‘Despite the ruins and death / Where every illusion always ended / The strength of my dreams is so strong / That from everything the exultation is reborn / And my hands are never empty.’ It’s in this reality amidst wars, devastation, and inequalities that the dance materializes.

The nine artists who make up the cast are Aline Bonamin, Allyson Amaral, Andrea Rosa Sá, Danielli Mendes, Felipe Stocco, Gabriel Fernandez Tolgyesi, Leandro Berton, Maurício Alves, and Paulo Carpino, who dive into their physical-affective repertoires to bring to the surface of contact pieces of expressions, gestures, and movements to be collectively devoured.

Cristian Duarte em Companhia is choreographer Cristian Duarte’s initiative to be, create, produce, disseminate, co-move the thought and excite the perception with dance, together with other artists who support and promote the transit between the various areas of knowledge, between languages, creating contexts for experimentation and for a research strategy in dance in the city of São Paulo. It’s an organism in residence at Casa do Povo since 2013, where he developed the residency LOTE and, currently, Z0NA.

Iago Mati is a filmmaker and Leviatã's editor and founder. He started his artistic path by drawing and doing graphic experimentations, later moving to photography and video, and using these languages as embryos for his multimedia work, such as installations and audiovisual albums, and collaborations with dancers and sound artists in his own film projects.

Cristian Duarte em Companhia: SITE | INSTAGRAM
Iago Mati: INSTAGRAM

Colored photograph. In the center there’s a black man, bare-chested, wearing a tie. His eyes are lifted and his arms are lowered and slightly thrown backwards. In front of him to his left and behind to his right, there are other black men standing up

E NUNCA AS MINHAS MÃOS ESTÃO VAZIAS BY IAGO MATI

 
 
 

Result of the Sound Collage workshop, by Juliana R and Bruno Trchmnn (video)

Think of sound as a collage. Open up possibilities obstructed by the infinite complexity of working with sound in space.

The Sound Collage workshop, with Juliana R and Bruno Trchmnn, simultaneously proposes a new possible approach to sound and an accessible and inviting practice for those working with sound for the first time.

On the last day of INDEX, they present the video that resulted from the workshop, which started from visual collages with diverse images and photographs from AHM's archives to create sound landscapes as well.

Juliana R is a sound artist and musician. Her work is based on investigating ways of listening, speaking, and singing, and she uses live performance and collaborative practices as a creative process, also experimenting with formats in which she improvises with pre-determined elements and limitations.

Bruno Trchmnn lives in Campinas, where he works as a teacher. His research and theoretical production revolve around experimental music and its political intersections, and his practices are guided by improvisation, interval drone listening, and open and intuitive tuning systems.

Juliana R: INSTAGRAM | SOUNDCLOUD
Bruno Trchmnn: INSTAGRAM | YOUTUBE | BANDCAMP

 
 

July 09, Tuesday

July 09, Tuesday •

 
 

Slow Gardening – special event at Casa Líquida residency

Slow Gardering is a performance arts installation proposed by Edbrass Brasil as part of his artistic residency at Casa Líquida. As a site-specific work, the sound artist from Bahia explores the garden of Casa Líquida based on his research of sounds and visualities coming from plants and minerals. For this work, he’s joined by artists Marion Hesser and Thayna Oliveira and video artist Vicente Otávio.

Edbrass Brasil is a sound artist, curator, and researcher. He's been working in different creative fields for two decades, as a radio artist, performer, and soundtrack composer for performing arts. He currently coordinates the project “Amazonia Revisited,” a partnership between CMC (Salvador, Brazil) and IOIC (Zurich/Switzerland), which proposes a series of collaborations among sound artists from South America and Switzerland.

Thayná Oliveira is a music therapist, art therapist, and artist from São Paulo, studying at FASCS and SP Escola de Teatro. She approaches the intersection of symbols and sounds of popular and Afro-Diaspora cultures and uses the cello and singing as tools for sound vagrancy.

Marion Hesser is an artist. Her works incite resources from choreography, dramaturgy, sound art, performance, and text. From 2016 and 2021, she co-directed the dance platform cerco coreográfico. She has a Philosophy degree from Universidade de São Paulo, and currently investigates the night and the earth, their variations and movement, through the works "Gema" (2022) and "A tarde e a manhã e a noite" (2023).

Vicente Otávio is from the interior regions of Bahia and works mainly with the languages of photography and audiovisual. He experiments with image creation using unconventional analogical techniques. He's been living in São Paulo for five years and is a member of the performance act "Casa Líquida" as an artist in residency, contributing to the communication and recording of the creative and life processes that take place in the house. He has a degree in Architecture and Urbanism (UNIT-2017).

CASA LÍQUIDA: SITE | INSTAGRAM

 

 
BARRIERS AND ACCESSIBILITY

INDEX Festival at the Municipal Historical Archives

Praça Cel. Fernando Prestes, 152 – Bom Retiro, São Paulo

 

July 12, 6 pm

Tickets will be given out on a first-come, first-served basis.
Entrance is free and subject to venue capacity.
Performances at the foyer: Maximum capacity of 200 people
Performances and screenings in the auditorium: Maximum capacity of 80 people

July 13, 3 pm

Tickets will be given out on a first-come, first-served basis.
Entrance is free and subject to venue capacity.
Performances at the foyer: Maximum capacity of 200 people
Performances and screenings in the auditorium: Maximum capacity of 80 people

July 14, 3 pm

Tickets will be given out on a first-come, first-served basis.
Entrance is free and subject to venue capacity.
Performances at the foyer: Maximum capacity of 200 people
Performances and screenings in the auditorium: Maximum capacity of 80 people


 

How to get there

Public transportation
The Municipal Historical Archives of São Paulo (AHM) is located 190 meters from Tiradentes Metro Station (Line 1 – Blue) and at the station, there's signage indicating the best exit to Praça Cel. Fernando Prestes. Accessing AHM's building from the metro is simple – just by crossing the square. There's a cobblestone stretch in good condition, and the sidewalks are wide, allowing wheelchairs, walking frames, and strollers to go through. There are no tactile cues.

Cab / Lift / App transportation
Cabs and similar vehicles can park directly in front of AHM, near the main entrance. There's enough space and conditions for safe disembarkation.

Car / Motorbike / Bicycle
AHM's parking lot is exclusive to employees. However, there are plenty of private parking lots in the surroundings. There are bikeways in the area.

The venue

Entrance
AHM has two entrances. To enter through the main one, there's a flight of stairs with six steps, without handrails. Going up these stairs, there's a small porch in the interior of the building, followed by another eight steps, also without handrails. The main gates and doors are always open. Inside the building, the venue is wide and the floor is flat and even.

There is a second entrance on the side accessible through a slightly inclined fixed ramp with double handrails. The ramp provides access to the building through the underground, and the path to the foyer is through wide corridors with Noppe studded rubber flooring. In this entrance, there is also an elevator with automatic opening and closing doors and space for one wheelchair, stroller, or walking frame user. The buttons and intercom are at an appropriate height. The buttons are large and legible but do not have braille markings. The elevator does not emit audible signals.

Reception / Foyer
Spaces are wide and flat. The floor is slightly slippery and does not have tactile cues. The lighting is comfortable. There is a bench for resting. There are no drinking fountains. There are no clear signs or indications of points of interest, but the restrooms’ doors will remain open, and the Festival staff will guide attendees to the locations of the performances.

The staff from Coletivo Desvio Padrão will be at the foyer to welcome and guide audio description users. The distribution of equipment for accessing the transmission will occur at this time, upon presentation of an identification document. Listeners may also use their own equipment to access the audio program (portable radio or mobile phone with a radio app or with access to the Internet.) The staff from Coletivo will also be available to welcome and guide sign language users if needed.

Performance venues
The performances of INDEX Festival will take place in two spaces at AHM – at the foyer and the auditorium. The foyer is a wide and flat area. The audience space will be set up with chairs, reserved spots for wheelchairs, and room for a standing audience. The auditorium has flat wooden floors without tactile cues. It has a U-shaped grandstand with wooden chairs on three levels, and a reserved spot for wheelchairs will be set up in front of the first-level chairs.

The staff from Coletivo Desvio Padrão will be ready to provide audio descriptions of the spaces, indicate possible obstacles, and guide people if needed.

Restrooms / Points of interest
AHM has four available restrooms, divided into women's and men's. There are two on the ground floor and two underground. None has facilities for children or people of short stature. There are no baby changing tables. The entrance to the restrooms is flat. The doors are wide to fit in walking frames or wheelchairs and the doorknobs are easy to grasp and handle. The restrooms are wide with enough space for wheelchair users to enter and move through. The toilet seats are at an appropriate height, and there are support bars behind and to their right or left sides. There are sinks and mirrors inside the stalls and they are equipped with hygiene supplies (toilet paper, soap, tissues.) The cleaning team will be guided to keep them carefully clean during the festival.

There are no cafes or restaurants at the venue and no food or beverage will be sold. Consumption is not permitted inside the auditorium.

 
 
Vibrant blue card. In black letters, it shows INDEX N#6 LEVIATÃ and the logos of supporters, partners, producers, creators, and the text: This project was supported by the 7th edition of the music support call for the city of São Paulo.